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Past10-02- The New Abstractionists II

 

 
Abstract mixed media and thin-set grayish white mortar on shaped wood panel. Turbid white dominating with partial brown, blue and ivory.
 

Anthony Miraglia, Striscia Terra Cotta, 2008-2009, Acrylic, mixed media and thin-set mortar on shaped wood panel, 40" x 30.5" x 2.75" 

 
 
Abstract mixed media and thin-set ivory with white mortar on shaped wood panel. Distorted rectangle hole with hemispheric outline on the center of the upper frame in the middle and bumpy color blobs like turbid ivory, brown and blue with checkered r…
 

Anthony Miraglia, Altare, 2009, Acrylic, mixed media, and thin-set mortar on shaped wood panel, 40" x 30.5" x 2.75"

 
 
Abstract painting consisted of three thick-layered vertical bands. Brown dominating on the center with black and orange mixed thin lines on its each side and turbid red dominating on the right and the left.
 

Scooter Flaherty, To Be So, 2009, Oil on Wood, 6" x 10"

 
 
Abstract painting consisted of three thick-layered vertical bands on canvas. Light blue dominating on the center with black thin lines with red brushstrokes on each side and blue dominating on the right and the left in a rough manner.
 

Scooter Flaherty, As far way, 2009, Oil on Canvas, 5" x 8 1/2"

 
 
Abstract painting consisted of three thick-layered vertical bands on wood. Navy dominating on the center with black thin lines on each side and turbid mint green dominating on the right and the left in a rough manner.
 

Scooter Flaherty, Ain't No Tellin', 2009, Oil on Wood, 6" x 10"

 
 
Abstract painting consisted of three vertical bands on wood. Purple dominates on the center with black thin lines on each side and dark yellow with partial orange and white dominating on the right and the left in a dry manner.
 

Scooter Flaherty, Whipper Snapper, 2009, Oil on Wood, 10" x 20"

 
 
Abstract painting consisted of three vertical bands on wood. Ivory dominates on the center with black thin lines on its each side and purple dominates with partial black brushstrokes on the right and the left in rough manner.
 

Scooter Flaherty, Morning Glory, 2009, Oil on Canvas, 10" x 20" 

 
 
Abstract painting of mounted paper pieces with uneven boundaries, dominated with red, orange, yellow, white, purple and black.
 

Todd Lehman, The Glass Bead Game, 2009, Oil on paper mounted on canvas, 24" x 28"

 
 
Abstract painting of mounted paper pieces in red, yellow, white, orange and purple. Scratch like horizontal black lines throughout.
 

Todd Lehman, Red House Landscape, 2009, Oil on paper mounted on canvas, 18" x 16"

 
 
Abstract painting full of mounted paper pieces in rectangular shapes, dominated with red, orange, white, blue and bright brown. Black blobs and spots on the upper layer throughout.
 

Todd Lehman, Drums and Banners, 2009, Oil on paper mounted on stretched canvas, 15" x 18"

 
 
Abstract painting of mounted paper pieces in distorted rectangular shapes throughout, dominated with yellow and partial red, light purple, gray and blue.
 

Todd Lehman, The Yellow House, 2008, Oil on paper mounted on canvas, 20"x 26"

 
 
Abstract painting of mounted paper pieces in rectangular shapes, dominated with gray, brown, light orange, partial red, black and navy with scratches on them.
 

Todd Lehman, Time Worn Bricks and Hollow Vaults, 2008, Oil on paper mounted on canvas, 17" x 14"

 
 
Abstract painting of mounted paper pieces with uneven boundaries, dominated with dark red, dark yellow, purple, brown, ivory and black.
 

Todd Lehman, Ancient Silence No.2, 2008, Oil on paper, 15" x 11"

 
 
Abstract painting of mounted paper pieces in distorted rectangular shapes throughout, dominated with brown, red, light yellow, light brown and gray. Smaller bumpy squares on brown blobs.
 

Todd Lehman, A Small Stony Street, 2008, Oil on paper, 20" x 26"